"If I were on a desert island, what three DVDs would you take with you and why?"
That was the title of my first english assingment. Mr. Whatever-His-Name-Is challenged the class to give an answer to the question that embodies the worst fears of our generation: being stranded on a desert island with no good movies to watch while you try to kill yourself with a sharp rock.
And since I've been suffering from a horrible case of writers block (either that or that burrito I had last night, I still can't decide), I'll just write my answer here.
A-hem.
The Matrix - Directed by the Wachowski Brothers, 1999
My first choice would be The Matrix. I can't deny it, I'm a fan boy. Saying that I kinda like The Matrix is like saying Hitler kinda didn't like jewish people. Although I must say, the reason why I love this movie goes beyond the wireframe kung fu fighting (that probably required more illegal chinese imigrants than all grocery stores in Ontario combined) and groundbreaking special effects made by people our parents called "nerdy losers" twenty years ago. Ever since I was a kid, I was drawn by the concept of alternative realities. The Wachowskiweiodasawhats-your-name-again brothers combined the metaphysical approach of philosophycal classics such as Plato's Cave, with flying kicks to the face and cartwheel shooting - which is not an easy task by any means. If I ever get bored of eating coconuts and trying to catch fish with my bare hands, I bet Keanu's bad acting and all the slow-motion fighting sequences would boost me up to the next monkey hunting.
Mary Shelley's Frankenstein - Directed by Kenneth Branagh, 1994
That movie shocked me when I was a kid, not only because they managed to screw up Deniro's face beyond recognition, but because the story is that classic "man versus God", "creature versus creator" dilemma - a theme I personally enjoy. The monster (which by the way, was not called Frankenstein) is a sentient being brought to life but forsaken by its own creator. Instead of doing what every rejected kid does and starting an emo band, the beast decides "fuck that". One can expect nothing short of gruesome killings and bloody disembowelment as revenge from the hands of the monster that surely holds a grudge.
Ong Bak (a.k.a. Some Oriental Dude Kicking Random Asses) - Directed by Some Oriental Dude Whose Name Has More Consonants Than Should Be Legally Permited, 2003
Last but not least, Ong Bak, the tale of the kung fu master with a heart of gold in a spiritual quest of punching bad guys in the face and/or finding some sacred stolen stuff. This perfected the "pointless ass kickery stitched together by pointless dialogues" technique. This cinematic approach is not an easy task to pull off, but the makers of this gem made sure they'd hit a home run but cramming over 80 minutes worth of footage of raw face bashing. Truly a must-have for any classic movie fan that happens to be on an uninhabited island (but doesnt mind the English voice over being roughly two minutes off, that is.)
Of course I'd turn all those fine movies down if I could only get my hand on one of those "How to Make a Raft Special Edition DVD".
And since I've been suffering from a horrible case of writers block (either that or that burrito I had last night, I still can't decide), I'll just write my answer here.
A-hem.
My first choice would be The Matrix. I can't deny it, I'm a fan boy. Saying that I kinda like The Matrix is like saying Hitler kinda didn't like jewish people. Although I must say, the reason why I love this movie goes beyond the wireframe kung fu fighting (that probably required more illegal chinese imigrants than all grocery stores in Ontario combined) and groundbreaking special effects made by people our parents called "nerdy losers" twenty years ago. Ever since I was a kid, I was drawn by the concept of alternative realities. The Wachowskiweiodasawhats-your-name-again brothers combined the metaphysical approach of philosophycal classics such as Plato's Cave, with flying kicks to the face and cartwheel shooting - which is not an easy task by any means. If I ever get bored of eating coconuts and trying to catch fish with my bare hands, I bet Keanu's bad acting and all the slow-motion fighting sequences would boost me up to the next monkey hunting.
That movie shocked me when I was a kid, not only because they managed to screw up Deniro's face beyond recognition, but because the story is that classic "man versus God", "creature versus creator" dilemma - a theme I personally enjoy. The monster (which by the way, was not called Frankenstein) is a sentient being brought to life but forsaken by its own creator. Instead of doing what every rejected kid does and starting an emo band, the beast decides "fuck that". One can expect nothing short of gruesome killings and bloody disembowelment as revenge from the hands of the monster that surely holds a grudge.
Last but not least, Ong Bak, the tale of the kung fu master with a heart of gold in a spiritual quest of punching bad guys in the face and/or finding some sacred stolen stuff. This perfected the "pointless ass kickery stitched together by pointless dialogues" technique. This cinematic approach is not an easy task to pull off, but the makers of this gem made sure they'd hit a home run but cramming over 80 minutes worth of footage of raw face bashing. Truly a must-have for any classic movie fan that happens to be on an uninhabited island (but doesnt mind the English voice over being roughly two minutes off, that is.)
Of course I'd turn all those fine movies down if I could only get my hand on one of those "How to Make a Raft Special Edition DVD".
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